Surviving the Academic Job Talk

No pressure

It’s summer. As the mercury slides up the thermometer (WAY up the thermometer),  several events in the archaeological yearly round appear on the horizon. A host of field schools are in full swing around the globe, anxious graduate students are working to complete fieldwork before returning to the classroom, and there is the usual crop of CRM projects that tax the sweat glands and keep sports drink companies in the black.

For those of us exploring the academic job market, this also means that a new round of position announcements lies on the horizon. For each position, a lucky few candidates will get invited to a campus visit, which will entail a job talk.

The job talk can be an intimidating, highly daunting experience. This post is intended to offer some basic guidance that may assist the prospective with preparing for this talk. I draw upon some printed and electronic sources (there frankly aren’t many available on this subject) as well as some interviews with several scholars who have gone through this process recently and met with success.

Do Your Homework

It should come as no surprise that there is a lot of planning involved in the job talk. Think about who is going to be in the room. If you will be presenting at a large university with a graduate program, you can expect faculty, graduate students, and some upper-division undergraduates. With many departmental web pages now carrying faculty photographs, it’s not a bad idea to be able to identify the faculty on sight, which can help you anticipate queries during the Q and A after the talk and anticipate some of the questions that might be posed to you.

In most departments, the attendees are likely to be at least conversant in the elements of archaeology, though may not be as familiar with historical archaeology, and almost certainly not with your particular focus within historical archaeology, so be prepared to walk them along to the point that you can convey the import of your work. James Davidson, of the University of Florida, suggests that avoiding excessive particularlism can help the candidate show how well-rounded he or she is.

Anna Agbe-Davies (University of North Carolina) points out that as historical archaeologists, we straddle a lot of disciplines, meaning that we might wind up teaching in anthropology, history, or American studies departments, each of which will be more or less familiar with your discipline. It is possible that 75% of the audience may have no meaningful understanding of archaeology, and would therefore need more background than a department crammed full of diggers.

If you don’t do this well, you can expect to get questions on the technical aspects of the work only, and you likely lose the chance to have a substantive discussion of what you just presented. You also want to avoid coming off as interested in an arcane corner of the scholarly world. It’s easy to forget how niche your work is when you’re writing the dissertation. Showing the relevance of your work to larger trends in academic thought, within as well as outside of archaeology, is generally a good thing.

Time and Message Discipline: These are a Few of My Favorite Things

Most of the job talks I’ve attended were allocated an hour. You know what happens at the end of that hour, right? People start looking towards the door, ready to leave. If you talk right up to that hour mark, your audience won’t get to ask questions or will have to stay late, which won’t make you look good to a prospective employer.

Darley and Zannah (1986) suggest that it’s best to take about 75% of the allotted time for your talk. For an hour, this would be about 45 minutes, which is long enough to get to the meaty bits of your research, but not so long that you start unduly taxing people’s attention spans. This will leave a nice amount of room for questions, which there will be (see Practice, Practice, Practice, below). Be sure to check with the host institution before you start planning the talk to make sure you know long you have.

Also, keep on message (avoid ramblings and digressions) and keep an eye on the clock (wear a wristwatch in case there’s not a visible clock in the room). These kinds of discipline are crucial to show that you can organize your talk into a digestible, relatable way. Hit the high points.

The Army* encourages presentations (OK, briefings, but they’re basically the same thing) to consist of three major points, each supported by three subsidiary points. While that structure isn’t going to suit everyone, the idea behind that structure is to present the most crucial elements of the material in a fulsome, but necessarily limited manner, as you don’t have the time and your audience doesn’t have the attention span to ingest all the details of your work.

Technology

Let’s envision a scenario wherein you’re setting up for your job talk at Awesome State University (Go Fighting Crawfish!). You’ve spent the past week constructing what could be empirically verified as the greatest PowerPoint presentation in history. It interdigitates flawlessly with your job talk, the images and data tables tagging off brilliantly with the speech you’re about to give. The recording of the talk (it will probably be recorded) will play on a continuous loop in the Louvre next to the Mona Lisa.

You clear your throat, approach the podium, and you get through exactly five letters (“Welco…”) before a pop and hiss signifies the untimely demise of the bulb in the projector… that is affixed to the ceiling of the classroom… fifteen feet above the audience and reachable only by ladder. There’s no chance that bulb gets replaced anytime tonight, and you must now do your presentation without the aid of visuals (I would not advise trying to compensate by doing shadow puppets with a flashlight).

As you can see from my next slide… NOOOOOO!

We’ve all seen this kind of thing happen at conferences. Not so long ago, the slide projector might spit the carousel, or a slide would be in backwards. Nowadays, it might be that the available computer runs OpenOffice or something else not-PowerPoint, and the formatting goes haywire. We can laugh that off because a conference presentation is not a job talk.

This is. Buller (2010:21) observes that candidates can derail their chances for being offered a job by placing their faith in unreliable technology. Never assume that a certain kind of technology will be available, and be prepared for malfunctions. Always take several different formats of your presentation. At minimum, have a laptop with you that has your presentation deck saved on it. Carry additional copies on a flash drive and a CD/DVD (have cuneiform tablets gone out of style yet?). Get these together BEFORE you leave town for the campus visit, as you can’t rely on having the time to make the requisite copies.

I’ll include one other thing that cropped up recently with a colleague’s laptop as she started teaching a class here at Southern Arkansas University. Her brand-new laptop didn’t come with a VGA port. That’s the 15-hole connector on the side of most laptops. Since most folks never use the VGA port, the manufacturer left it out, requiring a special adapter (“dongle”) to add that functionality. Better to find that out before you get in the room to give your talk.

At the most extreme, be prepared to give your talk completely sans power/technology. Buller recommends carrying printouts of essential images or data tables to pass around, should the technology completely fail you. If everything goes smoothly and you don’t need them, they make useful handouts that you can pass along to interested parties at the close of the talk, or useful aids to those with failing eyesight who might have trouble seeing your presentation slides from the audience.

Practice, Practice, Practice (then Practice Some More… and between Practices, Work in Some Practice)

Darley and Zanna (1986) describe the job talk as essentially a performance. Like any play or musical, rehearsal breeds quality and coherence. Know the talk cold. Be able to present it in 16 different languages, and be able to present it backwards in at least 9. Have friends shoot you with paintballs at random while rehearsing so you can practice recovering should you be knocked off your rhythm.

Agbe-Davies suggests that, if you’re a graduate student, get your peer grads together to watch a dry run of your talk. Graduate students can be some of the harshest critics of your work, much more so than faculty, and their comments (politely phrased) can help you anticipate questions that could crop up at the actual job talk or point out shortcomings that you could revise into a subsequent draft of the talk.

Don’t Panic, and Always Carry a Towel

OK, not really. Well, do indeed refrain from panicking, but a towel is not necessary. See Adams (1979) for disambiguation.

If you haven’t sat through job talks at your own institution before, be warned that they can become somewhat tense. Resident faculty may ask some hard, sometimes harsh, questions of the candidate. This is not necessarily intended to expose the speaker’s shortcomings as a scholar, though it might. It could, rather, be a test of the speaker’s ability to carry on rigorous academic debate. One’s ability to match wits with the department’s faculty can significantly add to a candidate’s standing. Matt Liebmann, of Harvard University, encourages us to “NEVER apologize for your work,” and that one’s inclination, when challenged by established faculty, is to become apologetic for its shortcomings. “Deliver your talk with confidence and always stand up for yourself during the question and answer section” (Liebmann, personal communication).

But, don’t fret. You’re not going to anticipate EVERY question, and there is likely going to be something asked that you just don’t have an answer for. Admit that you don’t know, thank the questioner for providing new light on the subject, and write down the question. Whether you get the job or not, you have something to consider in your own scholarship in future. If you have a later job talk elsewhere, you have a chance to prepare for that question, should it come up again. It also shows that you’re engaged with the audience and having a professional discussion with them.

Do you have other thoughts or insights? Post them in the comments section.

Thanks to Dr. Anna Agbe-Davies (University of North Carolina), Dr. James Davidson (University of Florida), and Dr. Matthew Liebmann (Harvard University) for providing insight and reflections on their experience of this process. The above is my recalling and interpretation of their remarks, and I take full responsibility for any mischaracterizations, etc.

References

  • Adams, Douglas
    • 1979     The Hitchhiker’s Guide to the Galaxy. New York: Harmony Books.
  • Buller, Jeffrey L.
    • 2010     The Essential College Professor: A Practical Guide to an Academic Career. San Francisco: John Wiley & Sons.
  • Darley, John M. and Mark P. Zanna
    • 1986     The Compleat Academic: A Career Guide. New York: Random House.

Critical Heritage, African Diaspora Archaeology and the Moment When My Eyes Were Opened.

I am a blogger. Blogging has become an extension of how I process complex thoughts and ideas. Composing a blog entry is like creating a work of art, allowing me to release myself from the constraints of academic boundaries and just write my inner thoughts and feelings in ways that are liberating and therapeutic.

So, this entry is about a recent shift in the way I think about the archaeology that I do, the methods I employ to engage with multiple stakeholders, and the ability to compare my experiences across time and space. This all started when I began to notice that many of the archaeologists around me were starting to talk about this thing called heritage.  I presented a paper at an annual conference sponsored by the UMass Amherst Center for Heritage and Society (CHS) about the recent trends in African Diaspora archaeology. I had incredible exchanges with heritage professionals, archaeologists from around the globe who were using unfamiliar language like tangible and intangible heritage, polylogues (as opposed to monologues), and concepts like sites as extensions of public value. I was shocked to learn how different this new heritage differed from my archaic understanding of what heritage was. It was no longer simply the idea of preservation, the built environment, or a tool for nation building, it was about all people, even those who were often marginalized, neglected and underrepresented.

My formal relationship with CHS began when I became a part of a larger project on Eleuthera, an outer island in the Bahamas. Initiated by a local organization, One Eleuthera Foundation (http://oneeleuthera.org/), CHS became a partner in an effort to identify projects and opportunities to “strengthen Eleuthera’s communities and further the economic, environmental and social development of the island” (http://oneeleuthera.org/). This partnership, already going on for a year, involved community engagement, focus groups with a variety of stakeholders, and historical research. There were several viable components to the project, one of which was the possibility for some archaeology of an abandoned 500 acre plantation on the southern tip of the island. I was drawn by the lure of plantation archaeology outside of the Southern United States. However, I quickly discovered that this trip was not about me initiating excavations at Millars plantation, this thing I now know as critical heritage opened my eyes to see realities of lived experience that had to be addressed before a single shovel or trowel ever touched the dirt.

What I found was an island that did not benefit from constantly docking cruise ships or “all inclusive” resorts scattered across the landscape. I found an island impacted by severe un/underemployment, the invisibility of a Haitian labor class, the negative imprint of failed tourism, steady outward migration, and the political and social involvement of second-home owners. I arrived thinking I was there to help the “community,” without knowing what that really meant. Eleutherans were easy to talk to, I learned a great deal about history, family, connection, in many ways I felt like I was returning to a home I had longed for, but never knew existed. The people looked like me, I could relate to the frustrations of the empty promise of tourism and how it fostered apathy in the minds of young people. I was not the archaeological expert, standing in the center of town as an empty vessel to be used to recuperate the buried past. My role was seeing myself as a facilitator between the elder and the youth, the Eleutheran and the Haitian laborer, the community organizer and the second-home owner. The fading history of the island was held close by those who stayed, those who looked to heritage as the means for a sustainable collective memory. Archaeology could tell a story that chronicles the history of an abandoned plantation, the experiences of post-emancipation life, and possibly provide a narrative that can be powerful enough to reclaim a fading Eleutheran identity, but this project was more about dialogue, about reaching a larger audience on and off of the island. As one informant said plainly, “we need you to help remind us all that we have, because we are sitting on it and take it for granted” (Roderick Pindar, personal communication, 2012). And then I went back home, to Western Massachusetts.

On my return I was invigorated and confused. I had to process the trip, knowing that Eleuthera was forever in my system. I had just scratched the surface on my first trip and I continued to delve, very slowly, into this thing called heritage. It was some months later as we were conceptualizing the 2012 UMass Amherst Heritage Archaeology Field School (http://umassheritagearchaeology.com/), that it struck me. I was starting to see my current site, the W. E. B. Du Bois Homesite, differently. I began to think critically about how I had been defining “community” in Great Barrington. Who were we trying to reach through our interpretation and archaeology? I wanted to employ the idea of local and associated stakeholders, mark the contrast and follow where it took us. I was reminded of how Anna Agbe-Davies articulated the reality that many historical archaeologists enter into engagement with very weak theoretical understandings of community (Agbe-Davies, 2010). And then I had one conversation that would again shift the very foundation of my thinking.

That “local” community I was searching for was not as distant as I had imagined. They were witnesses to a transformed landscape that no longer reflected their generational memories. There was a sense of disconnect from what Great Barrington had become and there was a sense of loss and apathy. Although, it does not involve an African descendant community, in the traditional sense, the Du Bois Homesite is surrounded by a rural, descendant group of people that are not invested in the site that occupies a space in their neighborhood. This local community has experienced a steady outward migration of young people, a politically and socially active second-home owner community, the effects of New England seasonal tourism, and massive un/underemployment. The needs of this local community are different than I initially expected or even considered. This community did not look like me, we didn’t share a collective past, but there is a need for their voices to be a part of the dialogue of how we understand the Du Bois Homesite. Therefore, I am beginning to see the possibility of facilitating a conversation, developing a longer relationship to the site and its surroundings and expanding the story/narrative of life in Great Barrington, in the past, present and future.

From critical heritage I have learned that I am no longer just the expert. I have learned that I can serve as a facilitator for the needs of local and associated communities, use an archaeology that includes dialogues that exposes students to the complications of human interaction and conflict. And how these messy situations can become teaching moments, the means to create sustainable relationships between communities and sites, and how, for the first time in my career, my ability to put those lofty theoretical ideas I have about engagement into practice. Whether it is on an outer island in the Bahamas or a small, plot of land on the South Egremont Plain in rural Western Massachusetts, critical heritage has opened my eyes wide enough to see a lasting value in the work that I to do.

  • Agbe-Davies, Anna
    • 2010 “Concepts of community in the pursuit of an inclusive archaeology,” In International Journal of Heritage Studies 16(6):373-389.
  • Pindar, Roderick
    • 2012 Personal Communication, Governor’s Harbor, Eleuthera, Bahamas.

Historical Archaeology 46(1): New Journal and New Design!

The new issue of Historical Archaeology, the Society for Historical Archaeology’s academic journal, 46(1) is hitting your desks and is certain to catch your attention.  This is the first in a new generation of the journal that features a glossy color cover with the contents listed on the back for easy reference.  But it deserves your attention for more than that. This thematic issue compiled by Uzi Baram and Dan Hughes looks at ethnogensis and other topics through the lens of the many cultures of Florida, and explores the ways in which archaeological and historical research can reveal the way the multiple cultural identities of Florida were created, negotiated, and reformed.  Baram and Hughes’ Introduction, attached, gives you a sense of the historical archaeology of Florida and the contents of this issue, which is one you won’t want to miss.

Download Baram and Hughes’ introduction to Historical Archaeology 46(1), Florida and its Historical Archaeology, for free here.

To receive Historical Archaeology quarterly, consider becoming a member of the Society for Historical Archaeology. 


SHA 2013: Kibworth, Leicestershire, and the Story of England

British blog readers will recall the BBC series Michael Wood’s Story of England, which was originally broadcast in 2010, and repeated at the end of last year. The series followed 2000 years of English history, through the lens of a typical English parish – which just happened to be Kibworth in Leicestershire, only a few miles from the University of Leicester, where SHA’s annual conference in 2013 will take place. Now American viewers will have a chance to watch the series on PBS, starting at 8pm on Tuesday 3rd July.

Michael Wood and Carenza Lewis with the residents of Kibworth

Historian and broadcaster Michael Wood introduces the series in this blog. Staff and students from the School of Archaeology and Ancient History at Leicester University were involved in the making of the programme, working with residents to devise a community archaeology project to research and excavate sites in the parish. You can find out more about the Kibworth outreach programme here, and some of the results of the excavation, as well as interviews with Michael Wood and Leicester University’s Archaeology Outreach Officer Debbie Miles-Williams, were featured on the BBC Leicester website.

Kibworth’s interest in its history did not end with transmission; the residents of Kibworth (which comprises three villages; Kibworth Harcourt, Kibworth Beauchamp, and Smeeton Westerby) have put together their own website, which looks back at the production of the BBC series and the parish’s history, and at contemporary events including celebrations for the Queen’s Diamond Jubilee, and the Olympic torch relay. An online museum will soon be available on the website.

Image: BBC


Teaching, public archaeology, and miscellaneous intersections

Having just yesterday finished up my teaching of a 6 week archaeology field school, it’s still hard to get my thoughts off of it, or to refocus on strictly public archaeology issues. But as I think about it, the two topics are not so separate. Our field school, offered by the University of Kentucky Department of Anthropology, was held at the Shaker Village of Peasant Hill, Kentucky (www.shakervillageky.org). This is an extremely public site visited by many tourists, and our excavations were located right in the center of the village. This exposure provided a unique opportunity to engage students in public archaeology and to provide the public with a chance to see how Pleasant Hill changed over time.

Large groups on a tight time frame often peered over a fence at us (or we would run over and give them a “quick explanation”), but more leisurely non-group tourists would stop by to see what we were doing. The students were encouraged to speak freely with the visitors and explain our research goals of pinpointing the location of the 1810 Meeting House and the 1812 Centre Family Dwelling, investigating their spatial relationships and the extent to which they lined up with one another and contributed to the sense of order at the village. As an instructor, I found it gratifying to hear the students seriously repeating to the visitors the very ideas I thought had been going right over their heads as I instructed. On the last day of the field school, Morgan, one of our students, was so affected by the experience that she applied for and has been accepted as a future interpreter at the Shaker village site. This was a first for me, and while it may be a loss for us in our stock of trained excavators, it was an unusual win for public archeology in the broader sense!

Our work this summer had another unexpected public component. Once we verified that the foundation of the 1812 Centre Family Dwelling House was fairly well intact not far from the present surface grade, we added a goal of completely exposing this foundation for permanent viewing. This was extra work (not a small task, the Dwelling House main block was 56.25 ft x 45 ft), since our initial research objective could have been met by just exposing and mapping the two front corners of the building, and then backfilling. But by exposing the full foundation, we hoped to give the visitors a better sense that Pleasant Hill had changed drastically over time, and that it had a dynamic history of experimentation as it developed.

Our two buildings sites readily presented this opportunity as they were oriented to a north-south road, an orientation that was abandoned just a few years after completion of the 1812 Centre Family Dwelling. Realignment of the main village 90 degrees to east-west entailed building a new Meeting House (in 1820) and a new Centre Family House (begun in 1824), both of which are standing today within viewshed of our sites, making their strong testimony to the change of orientation. Coupled with this was the fact that the foundation we were excavating was just yards from where most visitors entered the site, making it a unique opportunity to get them thinking about all those other buildings that used to be at Pleasant Hill. Work progressed well to expose the foundation, but we could soon see that the foundations stones were preserved at many different levels, some just below the present surface grade (established in the 1970s to smooth over an overwise rough building ruin), and others up to a foot below the present grade. These deeper areas created a potential hazard for falls, sprained ankles, etc (Shaker Village has overnight guests who do walk about at night) and an obstacle for lawn maintenance. As we pondered our dilemma, Shaker Village staff member Don Pelly came up with an idea — if we could gradually “feather” down the grade in most areas, starting about a foot and a half out from the foundation to gradually lower down to meet the intact foundation stones, the hazard and maintenance burden would be sufficiently reduced. We coined the term “archeolandscaping” to help ease the burden of this work; I think throwing our new term around helped boost our spirits for say, at least a couple of hours!! Several days of work was required but thanks to the students’ efforts, the 1812 Centre Family Dwelling foundation now has a good chance to remain exposed, working to enhance the visitor experience.

And finally, I was thinking that while these aspects of our experience were very important, still most important, especially as an influence in public archaeology, were the three days we left the Shaker site and journeyed a short distance to the Civil War site of Camp Nelson, in Jessamine County, Kentucky (www.campnelson.org) to assist archaeologist Dr. Stephen McBride in that site’s annual “School Days” program, where all the 5th grade classes of Jessamine County come to Camp Nelson and watch or participate in various reenactor and hands-on history stations, including an archaeology station (often cited as one of the most popular by students and teachers). This year’s archaeology station was excavation at one of the Camp Nelson’s sutler stores. Normally the archaeology station is run by three to four archaeologists, but with the help of the 14 student field school we had a great teacher to student ratio. I was struck by the insightful comments our field school students wrote in their journals (required for the class) after the experience. Though many commented about how tiring it can be to work with large numbers of 5th graders (who would not agree?), they also commented on how exciting it was to watch the amazement of the 5th graders as they connected with material culture not touched by others for nearly 150 years.   Several commented on how important it was to give these young students a sense that history can be discovered in multiple ways, not just in books, to help them better understand the significance of their own local history, or to help them grasp the fragility of archaeological deposits. I was also struck by what a great job our students did in instructing on things like keeping unit floors flat or artifacts in place, even though they had only a couple weeks of experience behind them.

From our experience, it seems as if there is nothing to reinforce learning like being forced to instruct. Have you had similar experiences by exposing your field school students to public archaeology? What strategies do you use to teach your field school students about working with the public? What advantages and disadvantages come from doing public archaeology in a field school setting?


SHA 2013: Gender and Minority Affairs Committee Travel Award

The Society for Historical Archaeology is committed to diversity, and is excited to announce its support of:

The 2013 Gender and Minority Affairs Student Travel Award

The Gender and Minority Affairs Committee (GMAC) is sponsoring two travel awards to graduate students who are presenting at the 2013 annual meeting in Leicester. Each award provides a prize of $500 to defray travel costs. Applicants must be currently enrolled in a graduate program, be a member of the SHA, and be presenting a paper or poster at the conference.

The goals of the fellowship are to increase diversity and to encourage student involvement at the meetings. Diversity is inclusive of race, ethnicity, gender, sexual orientation, abilities, and socio-economic background. Applications are encouraged from diverse populations including, but not limited to, groups historically underrepresented in archaeology.

To apply, send a CV (the name of your advisor/supervisor should be indicated on the first page), a letter of interest, and your poster or paper abstract submission. In your letter, please address the following:

1) Explain how you will increase diversity in historical archaeology, and why increasing diversity within the discipline and the SHA is important.

2) State how participation in the SHA Conference will advance your career and research.

3) Explain how your paper will potentially benefit those who attend your session.

The letter should be succinct and no longer than two single-spaced pages.

Following the conference, award recipients are required to submit a one-page report to the GMAC Chair on their conference experience and their thoughts on diversifying archaeology that will be posted to the SHA Blog.

Please note: individuals can apply for both the GMAC and Ed and Judy Jelks Student Travel awards, but may only receive one in the same year.

Deadline for submission:  September 3, 2012

Submit your application materials to Flordeliz T. Bugarin, Chair of the Gender and Minority Affairs Committee, via email at florie_bugarin@yahoo.com.

The award will be announced by October 3, 2012, and the award funds will be distributed at the SHA conference in Leicester.

Don’t forget that in addition to the GMAC Travel Award, there are two other awards available to enable students to attend the SHA 2013 conference in Leicester.

All graduate students who are presenting a paper at the SHA conference should consider applying for the Ed and Judy Jelks Student Travel Award; two awards of $500 are available.

The Quebec City Award, of up to $750, is granted to assist French-speaking students to attend the SHA conference. To be considered for the prize, candidates must be a standing member of SHA, be registered in a French-language university (contrary to the name of the award, you don’t have to be studying in Quebec!) and preparing a thesis or dissertation in French – and they must present a substantive or theoretical paper at the annual conference. Further information about the award, and how to apply, can be found on the SHA Awards webpage.

Good luck!

Image: “Muro Occidentale o del Pianto” (Western Wall or Wailing Wall) by Fabio Mauri (1993) CC BY-NC-SA 2.0 via Flickr


The Day of Archaeology 2012

On the 29th June, archaeologists from around the world will contribute to an innovative mass-blogging project online called the ‘Day of Archaeology‘ . This digital celebration of archaeology is now in its second year following on from a very successful launch in July 2011 and has attracted over 400 archaeologists from all walks of life to share a day in their working lives with the rest of the world by blogging, tweeting, photographing or videoing their working day.

Based on the ‘Day of Digital Humanities‘, this project was the brainchild of PhD students, Matthew Law and Lorna Richardson, who created the idea during a short discussion on Twitter.  It quickly attracted support from a like-minded team of ‘digital’ archaeologists (note, these digital archaeologists work with the digital medium, they aren’t excavating old backup tapes from the archives!). Support for the original project came from the British Museum’s Department of Portable Antiquities and Treasure (Daniel Pett), UCL’s Centre for Digital Humanities (Lorna Richardson), L-P Archaeology (Stuart Eve, Andrew Dufton, Jessica Ogden), Wessex Archaeology (Tom Goskar) and this year they have been joined by the Archaeological Data Service at the University of York, and also by Patrick Hadley, Karen Hart and Jaime Almansa Sánchez.

How Does the Project Work?

The ‘Day of Archaeology’ would be nothing without the help of the many participants, all contributing their stories for free. The foundations of the project have been built through a social media campaign on various platforms – Twitter, Flickr and Facebook.  For example, since April 2011, over 3300 tweets have been sent using the hashtag ‘#dayofarch’, and the information shared has been recycled many thousands of times via retweets, blogs and Facebook shares.

Within several weeks of the team announcing the project would be happening, enough people had signed up to make it viable and the Day of Archaeology looked like it would be a successful social media experiment (incidentally, social media use in archaeology is part of Lorna’s PhD research at UCL). The project is managed behind the scenes using Basecamp, and the various members of the team contributing their skills to the different aspects of organisation involved (for example publicity, web design, server management etc). Everyone involved is a volunteer, and all the work is done for free.  Content was created under a liberal licence (Creative Commons share-alike) and this year, we aim to deposit an archive with the ADS for posterity in case our server space disappears!

What Sort of Things Did People Contribute in 2011?

Last year contributions for the project were incredibly wide ranging, displaying the panoply of archaeological disciplines, and included professional archaeologists and volunteers.  There are some wonderful posts made via prose, imagery and video. Some notable examples of historical archaeology posts from last year that the team has been flagging up on Facebook and Twitter in the run up to this year’s event include:

The excavation of two households owned by freed African Americans in the nineteenth century in Annapolis, Maryland

An archaeological exploration of 16th and 17th century warfare in Ireland

Historical archaeology research at the Santo Tomé de Guayana site in Venezuela

Excavations by Binghampton University on an urban site dating from the late-nineteenth to early twentieth centuries at the Binghamton Intermodal Transportation Terminal

Retrieving post-medieval artefacts from the River Wear, Durhamin the North East of England ‪

A report from a community-based historic graveyard survey on an island off the west coast of Ireland

The above posts are just a snapshot of the Day’s content, if you visit the project website (www.dayofarchaeology.com), you can see over 435 posts from 2011 that give the casual reader a snapshot of the rich variety of archaeologists at work. The Day of Archaeology provides a unique behind-the-scenes insight into archaeologists’ daily lives; it is a multi-vocal, unscripted, unedited approach that offers open information about the field, both as a practise and as a discourse, but also delivers the discovery, the excitement and the mystery that is now the bread and butter of popular archaeological media. It also provides an insight into the many mundane office and field based tasks – the paper work, the research in dusty archives, the pencil sharpening – all the things you don’t see on the TV programmes…

Take Part in 2012!

You could be involved too. The event is running again on the 29th June (next Friday), and there is still time for you to sign up!  Just email us at dayofarchaeology@gmail.com and we’ll send you details of how to take part. The Day of Archaeology awaits your input!


Too Historic To Fail

Have you had an opportunity to read the latest chapter in the depressing Carter’s Grove saga?

Carter’s Grove, for those beyond the Mid-Atlantic, is a mid-18th-century James River plantation house that is also the site of Martin’s Hundred, one of the settlements attacked by the Powhatan in 1622 and discovered and excavated by Ivor Noël Hume. The property was owned by the Colonial Williamsburg Foundation (CW) and operated as one of the Foundation’s ticketed sites until 2003, when poor visitation numbers led to its closure.

In 2006, Carter’s Grove was sold by CW to Halsey Minor, an internet technology entrepreneur, for more than $15 million; CW held the note. Minor has since stopped paying the mortgage and declared bankruptcy to avoid foreclosure. The case is now in United States Bankruptcy Court in Norfolk.

Carter’s Grove. Photo via Flickr user roger4336 via Creative Commons License.

The Washington Post recently ran a story about the situation. The comments are fascinating (as only comments in the digital age can be). Most people mock Halsey Minor, mercilessly so, blaming him for what is happening to Carter’s Grove and looking forward to his pending comeuppance from the bankruptcy court judge.

A fair number, however, blame CW. Jtrice12 wrote that CW “should be ashamed for selling the place to someone with no expertise in historical preservation… They’ll never get another penny of my money.” “Astoundingly poor management,” concurred Doctor_Dru. CW “sold off Carter’s Grove instead of fulfilling [its] core mission,” PBrown448 declared, and so “off with the [CW] trustees[’] heads!”

The Carter’s Grove situation reveals the challenges facing organizations everywhere which manage historic sites. It also reveals how the challenge of sustainability extends beyond historic houses to archaeological properties (like Martin’s Hundred) and to the reconstructions / replicas often built to re-imagine these places on the landscape. Typically, reconstructions and other types of archaeological site interpretation can still require an infrastructure that includes not just visitor amenities but the expertise of archaeologists and educators. These are not inexpensive propositions.

Joan Poor, an environmental economist, has convinced me that cultural economics is an under-utilized tool for informed decision-making about the investment in and sustainability of historic properties. Cultural economics is concerned with the application of economic analysis to, among other things, the heritage and cultural industries (Towse 2010; see also the Journal of Cultural Economics). Poor believes that a public archaeology would not only benefit from a perspective rooted in cultural economics, but demands it.

Poor’s research in southern Maryland focuses on the analysis of historic sites as public goods, and just how much people are willing to pay to support them. Using the methods of cultural and natural resources economics, Poor works to establish values for historic and preservation attributes which cannot be measured in the private market. She has found that most people are indeed willing to support historic sites through tax dollars as well as through visitation (Poor and Smith 2004).

This willingness, however, has its limits. Poor suggests that site managers can find these limits through economic analysis and then develop realistic plans for the management of historic properties, including, if necessary, the conversion of a public good into a private good, such as selling a historic house.

Poor also argues that willingness-to-pay is not some forever fixed number, and that knowing the public’s limits can lead to the development of longer-term strategies for educating the public and, ultimately, increasing willingness-to-pay.

Unlike standing structures, archaeological sites don’t often need new roofs, paint jobs, or insurance. Still, there are real infrastructural costs for their preservation, accessibility, and interpretation. Cultural economics may provide yet another measure for determining the sustainability of various strategies for managing archaeological sites.

I have been thinking about Poor’s comments a lot lately because I am getting the sense that the rotten economy is masking a larger transformation in the public’s attitudes and support of historic preservation, especially archaeological sites. On the one hand, many surveys suggest that the public has never been more aware of and supportive of archaeology (see, for example, Ramos and Duganne 2000); on the other, a number of archaeology programs are on the chopping block, from museums to universities to government (none more draconian than what has been proposed for Parks Canada [read the SHA response to these cuts]). It’s not clear whether these proposed cuts reflect cost-saving measures or something else altogether. An analysis based in cultural economics might help tease out issues of a recession-induced inability to pay versus a declining willingness-to-pay.

Are there lessons we can take away from the Carter’s Grove debacle? Are we entering a new phase in the public support of archaeology? How can archaeological projects (a term used here broadly) be sustainable projects?

I am grateful to Dr. Joan Poor, Provost, Truman State University, for introducing me to the importance of cultural economics and inviting my participation in her project at Point Lookout State Park near Scotland, Maryland.

  • Ramos, Maria, and David Duganne
  • Poor, P. Joan, and Jamie Smith
    • 2004  Travel Cost Analysis of a Cultural Heritage Site: The Case of Historic St. Mary’s City.  Journal of Cultural Economics 28:217-229.
  • Towse, Ruth
    • 2010   A Textbook of Cultural Economics. Cambridge University Press.
[Image courtesy of Flickr user roger4336 via Creative Commons License]

Getting to Know the 2012 Ed and Judy Jelks Travel Award Winners

As a professional organization, the Society for Historical Archaeology promotes the participation of student members and supports the advancement of their careers. Students, in turn, may see the SHA as a resource in their professional development. One way the SHA encourages student participation in the annual meeting is through the Ed and Judy Jelks Student Travel Award, discussed on the SHA blog by both Paul Mullins and Charlie Ewen. Graduate students may apply for the $500 award to defray the cost of travel when presenting research at the annual conference.

What kind of students and research win the award? Mullins concisely described the work of last year’s two recipients and we were curious to learn a little more about Corey McQuinn and Adrian Myers as students. We interviewed McQuinn and Myers and the following is a summary of their responses.

Corey McQuinn, a master’s student concentrating in Historical Archaeology at the University of Albany, researches enslavement in the Northeast, an understudied topic. He examines the Mabee Farm in Rotterdam, New York, and how different archaeological models of enslavement and racialization apply to the Northern context. Through another project focused on the Underground Railroad in Albany, New York, he studies how the construction of a community that supported the Underground Railroad relates to New York’s earlier history as a slave state and its continued economic dependence on enslaved labor corps.

McQuinn working with students at the Schoharie River Center archeological field school in Montgomery County, New York. Dragon site on the Schoharie Creek (2008).

In addition to this academic research, as a project manager for the cultural resource management firm Hartgen Archaeological Associates, Inc., McQuinn says he must be flexible and cover a broad range of time periods and historic contexts. He has worked in a variety of historical contexts, including cemetery excavations, tavern sites, Shaker village sites, farmsteads and industrial contexts. He has also helped to run Hartgren’s youth archaeological field school summer programs, getting students involved in community archaeology.

McQuinn and students screening at Stephen and Harriet Myers house youth field school in Albany, New York, last summer.

The Ed and Judy Jelks Travel Award helped McQuinn attend his first SHA conference, where he presented a paper, met other professionals in his field, including authors of papers and books he has read. A highlight of the conference was getting to know people and learning about work in progress. He finds both the annual conference and quarterly newsletter valuable resources for identifying potential partnerships and opportunities in the future.

Though his three kids, Remember, Beatrix, and Jasper, are his greatest successes, McQuinn also received the New York Archaeological Association’s William Beauchamp Student Award in 1998 and the 1997-1998 Dana Student Internship Grant from Ithaca College. He is looking forward to completing his master’s thesis next semester and his PhD in the future.

Myers excavating at the PoW camp in Manitoba.

A PhD candidate at Stanford, Adrian Myers, learned of the Ed and Judy Jelks Travel Award through attending the SHA conference, SHA business meetings, and from the HISTARCH email listserv. The award enabled him to present a paper, “Dominant Narratives, Popular, Assumptions, and Radical Reversals in the Archaeology of German Prisoners of War in a Canadian National Park” in the session chaired by Michael Roller and Paul Shackel, “Reversing the Narrative.” The paper was about all the surprising and counterintuitive things he encountered while studying the history of Nazi soldiers in a prison camp in Canada during World War II. Long interested in the history of the Second World War, his dissertation research is a historical archaeological study of a prison camp in Manitoba, Canada. Over three seasons of work he and colleagues surveyed, mapped, and excavated portions of the camp. Myers also travelled to Germany and met with three men who had been prisoners of the camp.

Myers has participated in a variety of other projects, including the “Van Project” at the University of Bristol, the Stanford Gymnasium Dig, and Bonnie Clark’s field school at the Granada Relocation Center, a World War II Japanese internment camp in Colorado. He also used free Google Earth imagery to map the US military prison at Guantanamo Bay, assembled and co-edited a book on archaeology and internment camps, did a study on 20th century porcelain electrical insulatorsand also manages to work part-time in CRM archaeology.

Myers interviewing German PoWs in Germany.

Also a recipient of the National Geographic Society Waitt Grant (2009), Myers suggests undergraduate students pursue ideas for projects, even if it seems impossible and incredibly far off, especially if they are passionate about the subject. He suggests finding a supportive graduate program and, with effort the research can probably be done. He also says having an awesome adviser helps.

Both McQuinn and Myers sound passionate about their research and actively pursue opportunities to participate in projects and make connections with their peers in historical archaeology. They recognize the SHA as a resource for students and advise them to participate in the organization by speaking or corresponding with other archaeologists and presenting at conferences. The Academic and Professional Training Student Subcommittee (SSC) is starting a group discussion on student professionalism and the Society for Historical Archaeology. Please become a member of the conversation by joining the SSC Yahoo! group. Email your request to JCoplin@gc.cuny.edu and include your email to join.

We look forward to hearing from you!


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