Working with the Halcyon Collection 2: Applying for Major Dissertation Grants with a Collections’ Project
By Jennifer A. Lupu, PhD Candidate, Northwestern University Perfume Bottle from the Halcyon House Collection…
This year’s conference has a large slate of workshops; something to answer any interest. In preparation for the conference, and to inspire your interest in coming and participating, the Academic and Professional Training Committee offers three posts introducing these workshops. This is the first of those three postings.
We hope you find something here that piques your interest, and we hope to see you in Quebec City!
Workshop 1: Analyzing Glass Beads: When Archaeology and History Meet Archaeology
Hosted by Karlis Karklins, Jean-Francois Moreau, Adelphine Bonneau, and Ron Hancock
The aim of this workshop is to offer a large spectrum of key concepts on glass beads studies from different points of view and using multidisciplinary approaches. Markers of exchanges, glass beads are often abundant on archaeological sites. Their study provides both important information and underlines questions to be considered. In this workshop, we investigate the use of methods from archaeology, art history and Archaeometry. We will discuss both the limits and the complimentary aspects of these approaches.
Workshop 2: French Faience: Fabrication, Techniques, and History
Hosted by Laetitia Métreau
The raw materials used, as well as the shapes and decorations of tin-glazed earthenwares or faience, reflect the societies that produced used them. These productions are considered both a historical document and a socio‐economic marker. The aim of this workshop is to provide a comprehensive study of French faience, combining written sources, archaeological and archaeometric data. The theoretical part of the day will focus on technical, historical and stylistic aspects of these wares. It will be followed by a practicum consisting of case studies and identification exercises. The workshop will end with a guided tour of the Musée de la place Royale (Québec).
Workshop 3: Principles of Clay Pipe Analysis (Or, What to Do with a Pile of Clay Pipe Fragments)
Hosted by Barry C. Gaulton and Françoise Duguay
The proper identification and dating of clay tobacco pipes is essential for site interpretation; however many archaeologists still rely on outdated and problematic methods in their analyses. The goal of this workshop is to provide participants with the basic techniques used to identify, date and quantify clay pipes, with a focus on seventeenth- and eighteenth-century assemblages. It is designed for those without a strong background in clay pipe research. Topics include bowl typologies, pipe stem dating techniques, dating by makers’ mark and decoration, pipe provenance, quantifying assemblages, clay pipe reuse and modification, as well as approaches in trace element analysis.
Workshop 4: French Glass Tableware, from Production to Consumption
Hosted by Agnès Gelé
Glass tableware is an excellent example of the juxtaposition of different meanings conveyed by an artifact or objet. The purpose of this workshop is to provide participants with a synthesis of up to date research on French glass tableware. The theoretical section of the day examines the production of glass tableware, via a literature review and a discussion of the production processes and vocabulary in use. This will be followed by a discussion of the typological and stylistic evolution of glass tableware. Identification exercises will use the collections from the Maisons Estèbe and Perthuis, which were part of Place Royale in Quebec City. The workshop will conclude with a guided tour of the Musée de la place Royale (Québec).
If you have an idea for a workshop to be held at a later conference, or if you would like to organize one yourself, please contact Carl Drexler at cdrexler@uark.edu.