At some point in your archaeological career you will have the privilege of engaging with the public. How we engage is mainly learned through a trial and error process. Sometimes you are lucky enough to have someone share with you a tip or trick on how to do it better. There was a session at the 2015 SHA conference that did just that. It asked, ‘Are you at a loss for how to interest the public in your museum or archaeological site? Do you risk losing the public’s short attention span with static outreach programs?’ It featured lightning-fast (3 minute) presentations from a broad range of archaeologists who interact with the public in a wide variety of settings. All of the participants share time-honored as well as innovative techniques designed to engage the public over the short- and long-term in field and laboratory settings.
This session was filmed and you can view the tips and tricks:
Build a Archaeology Site:
There will be a follow-on session at this year’s SHA conference in Washington DC- FOR-045: Teaching the Past to the Huddled Masses, Yearning to Learn: Building an Educational Toolkit for Archaeology. Time: Saturday, 09/Jan/2016, 1:30pm – 5:45pm
Session Abstract: Working as a historical archaeologist in the 21st century presents new and old challenges for women, minorities, and the privileged. Equity Issues affect all whether direct or indirect; this session focuses on the immediate concerns of emerging professionals in both CRM and academia as they navigate upwards in these spheres. The goal of this session is to provide a semi-formal setting for “ladder-climbers” to interact with upper-management through a set question and answer period and informal round table format. Topics discussed include but are not limited to tips and lessons, gender and ethnicity workplace climate. This is an opportunity for professional development at a higher level.
If you like these videos be sure to check out this years conference which will be great. If you are interested in more conference videos check out Recording Archaeology and subscribe there to receive updates when more videos become available.
On August 31, 2015 Naval History and Heritage Command published in the Federal Register a set of revised regulations which implement the Sunken Military Craft Act (SMCA) permitting requirements for conducting intrusive activity on sunken military craft under Department of the Navy jurisdiction. The regulations go into effect on March 1, 2016.
Enacted in 2004, the SMCA clarified that, consistent with customary international law, right, title and interest in and to any U.S. government sunken military craft remains with the U.S. in perpetuity. The SMCA authorizes the Secretary of the Navy to establish a permitting program governing activities directed at sunken military craft for archaeological, historical, or educational purposes.
The revised regulations establish a permitting process for intrusive activities on Navy sunken and terrestrial military craft for archaeological, historical, or educational purposes. Generally, intrusive activities are those that cause disturbance, removal, or injury to a sunken craft. Activities such as diving on or remotely documenting sites are not considered intrusive, although the Navy cautions that permits or authorizations may be required under other laws and regulations.
The rule also identifies guidelines for inclusion of foreign or other Department of Defense sunken military craft under the Navy’s permitting program, and establishes the process by which enforcement provisions of the SMCA will be implemented. Finally, the permitting process for activities on terrestrial military craft under the jurisdiction of the Navy are aligned into a single permitting regime. The Command will serve as the authority for permitting activities directed both at historic Navy sunken military craft and terrestrial military craft, and at non-historic Navy sunken military craft.
Underwater archaeologists should review these new permitting regulations and understand how they may impact research and management of sunken military craft sites. The Naval History and Heritage Command reiterates that under the new system, applicants must “demonstrate careful planning, professional credentials, and a long-term view of the effects of the proposed activities on the craft and any recovered material” in order to obtain permits. Under the revised rule, violators may be subject to significant fines (not to exceed $100,000 per violation, with each day counting as a separate incident), liability for damages, and the possible confiscation of their vessel and equipment. The existing permitting program, in place since in May 2000, stays in effect until March 1, 2016.
The Department of the Navy’s sunken ship and aircraft wrecks represent a collection of more than 17,000 non-renewable cultural resources distributed worldwide. They often serve as war graves, safeguard state secrets, carry environmental and safety hazards such as oil and ordnance, and hold great historical value. The Navy helps maintain public safety, preserves our nation’s history, and protects the final resting places of many who made the ultimate sacrifice.
More information and the complete rule (32 CFR Part 767) are available at https://www.federalregister.gov/articles/2015/08/31/2015-20795/guidelines-for-permitting-archaeological-investigations-and-other-activities-directed-at-sunken and http://www.history.navy.mil/research/underwater-archaeology/policy-and-resource-management/upcoming-permitting-program/text-of-final-rule-32-cfr-767.html.
Good morning SHA members!
#SHA2016 is just around the corner, and the advance registration deadline is tomorrow, Tuesday, December 1, 2015. Please note that after December 1, registration rates will increase. Additionally, online registration for #SHA2016 will close on Friday, December 18, 2015. To register online, please proceed to www.conftool.com/sha2016.
Please note that if you are presenting a paper or poster, participating in a forum or acting as a discussant in a session, you must register at the full conference rate. Full-time students are encouraged to sign up to serve as volunteers during the conference and receive free conference registration. The volunteer form can be found on the SHA website at www.sha.org/conferences/ under the Registration tab.
Please contact the SHA staff at email@example.com if you need assistance with your #SHA2016 Conference registration.
Please visit the #SHA2016 Conference webpage, for general information about the conference. Additionally, our last blog post (“Tips for Getting Around D.C.”) provides information about parking and transportation in and around the D.C. area. Please proceed here, to access our last blog post.
Similar to our last blog post, this week we provide a list of cafés, bars, and restaurants within the immediate vicinity of the Omni Shoreham Hotel.
Cafés/Bars/Restaurants (Calvert Street and Connecticut Avenue)
1) Roberts Restaurant, at Omni Shoreham.
2) District Kitchen, American Mid-Atlantic small plate and bar serving Brunch on the weekend, Lunch every Friday, and Dinner every day. Located at 2606 CONNECTICUT AVE. NW.
3) Open City, casual American coffeehouse, bar, and restaurant serving Brunch, Lunch, and Dinner. Located at 2331 Calvert ST. NW.
4) Medaterra, casual Mediterranean bar and restaurant serving Lunch and Dinner. Located at 2614 CONNECTICUT AVE. NW.
5) Tono Sushi, casual Japanese sushi bar serving Lunch and Dinner. Located at 2605 CONNECTICUT AVE. NW.
6) Woodley Café, American diner serving Breakfast, Lunch, Dinner. Located at 2619 CONNECTICUT AVE. NW.
7) Café Sorriso, Italian café and gelateria serving Breakfast, Brunch, Lunch, and Dinner. Located at 2311 CALVERT ST. NW.
NOTE: Chipotle, McDonald’s and Dunkin’ Donuts are also along this block.
Please note that the Omni Shoreham Hotel is a short walk away from the popular D.C. neighborhood, Adams Morgan. Walk east, along Calvert Street, to 18th Street, where an additional array of delicious cafés, bars, and restaurants are waiting to be explored!
Good morning SHA members!
As you all know by now, online registration for #SHA2016 is open. Online registration for #SHA2016 ends December 18, so be sure to register!
As we draw near to #SHA2016, our blog posts are going to concentrate on D.C. related topics. This week, we focus on transportation. Please read below, for a few tips about getting around D.C.
Hotel: #SHA2016 will take place at the Omni Shoreham located at 2500 Calvert Street NW, Washington, D.C. To make your reservation, call 800-545-8700 and reference the SHA annual conference or click here.
Parking: Parking is offered at hotel. Click here, for parking rates. Parking off-site, in the surrounding neighborhood, is very limited. Tip: If you plan on traveling around via car, consider downloading the “Park Mobile” app (Google Play / Apple). This will enable you to “feed your meter”, from your smartphone.
Metrorail: Metrorail Service (a.k.a. Metro) is another option, and the Omni Shoreham is located on the Red Line, at Woodley Park-Zoo Metro station. Please note that during the weekdays trains run less frequently after morning and evening rush hours, and even less frequently on the weekends. Tip: If you plan on traveling around via Metro, consider downloading the “DC Rider” app (Google Play / Apple), to plan accordingly. Also, a map of the D.C. Metro system can be found here. Metrorail serves D.C. as well as Maryland and Virginia.
Metrobus: Metrobus Service is another option, and the Omni Shoreham is a quick walk from Connecticut Avenue, one of the more major thoroughfares. Tip: If you plan on traveling around via Metrobus, consider downloading the “DC Metro and Bus” app (Google Play / Apple), for maps and timetables. Or, proceed to the Metrobus webpage, for maps and timetables. Metrobus serves D.C. as well as Maryland and Virginia.
NOTE: Visit the Metro Trip Planner webpage, for additional Metrorail and Metrobus information.
Cabs: Cabs are another option, and please note that services such as Uber and Lyft have a pretty large presence in D.C. Tip: Download the Uber (Google Play / Apple) or Lyft (Google Play / Apple) apps.
Check back soon for our next #SHA2016 blog post about D.C.!
As the editor of Historical Archaeology, I see some of the best research in the field come across my desk. It is exciting to see so many areas of interest whether it be research on different regions or exploration of new theories, topics, site types, time periods, or varieties of material culture. While I am indeed lucky and the journal is doing well, there is always room for improvement. So, in this series of blog posts, I have wanted to share a little bit about the process of publishing in Historical Archaeology and invite you all to contribute a research article, technical brief, or book review soon!
Historical Archaeology is among the most prestigious research journals in archaeology and the preeminent journal for research in global historical archaeology. It has been published independently by the Society for Historical Archaeology since 1967. We publish four issues each year, which include two guest-edited thematic issues (click here to learn more about Thematic issues) and two issues consisting of individually contributed articles (click here to learn more about the peer review process).
HA book reviews are published online on the SHA website (http://sha.org/publications/book-reviews/), and they are released twice a year in conjunction with each contributed issue. The journal also publishes essays on SHA award winners and memorial essays for prominent contributors that we have lost over the previous year. Please contact me (firstname.lastname@example.org) if you have an article you would like to submit or contact Julie Schablitsky (JSchablitsky@sha.state.md.us) if you are interested in writing a book review. You can learn more about the journal here: http://www.sha.org/index.php/view/page/journal.
The Technical Briefs in Historical Archaeology series started up in 2006. Technical briefs articles are peer-reviewed and published on the SHA website. The Technical Briefs series provides “fast dissemination of shorter specialized technical papers in historical archaeology, maritime archaeology, material culture technology and materials conservation” (from the SHA website). Dr. Ben Ford is the Technical Briefs editor(email@example.com). Please visit the Technical Briefs webpage for more information about the series and how to submit your own work and, of course, to browse through the articles already published in the series: http://www.sha.org/index.php/view/page/technical_briefs.
All serial publications follow the rules laid out in a Style Guide, which details how manuscripts should prepared in terms of conventions for writing, references, quotations, figures, tables, and other attributes of an article. The SHA Style Guide can be found here: http://www.sha.org/index.php/view/page/for_authors.
While knowing the rules is necessary, most of us have harder time with the stages involved in framing and writing up our findings and ideas into a research article. So, I want to go over in the following some advice and strategies that I have picked up during my career about writing a research article in archaeology.
Writing a research article
The most important part of a research article is the argument. What is the main idea you trying impart? What are trying to convince the reader of in the article? You should be able to explain your argument in a short paragraph.
For example, in a recent article on “hand charms” James Davidson (2014) argues that most archaeological interpretations of these artifacts have mistakenly proposed that they reflect a retention of African spiritual beliefs in the Diaspora. He argues that this interpretation overlooks evidence that these “hands” were part of a set of hook-and-eye fasteners found on low-cost clothing likely purchased by slave owners to provide for their laborers. Thus, the association of the hand artifacts with African American sites is not due to spiritualism but to plantation economics. Similarly, Linda Scott Cummings et al. (2014) argue that by lumping all Chinese household sites as one unit of analysis that we miss essential aspects of the diversity of experiences within these communities. They show that differences in archaeobotanical data recovered from merchant households and tenement buildings indicate both class and occupational differences that are important to understanding the late 19th century Chinese community in San Jose, CA.
But how do you build a good argument? Good arguments in Historical Archaeology (1) make clear connections between material culture and historically and culturally situated people, and (2) present and interpret these data as argumentative evidence to show and explain how people lived and acted, such that the data you discuss are the appropriate result. A good argument thus starts with good data, and, as we all know, good data comes from solid research skills and usually a bit of good luck. Since luck is out of our control, I’d like to talk some about the skills you should demonstrate in a research article to craft a successful argument.
- Defining the Research Problem
Research methods in historical archaeology are quite diverse, ranging from geophysical survey to architectural analysis to ceramic decorative pattern studies to oral history to critical race theory and more. Yet, no matter the methods you use or the materials you engage, a good article starts with a compelling research problem. To develop a good problem you need to consider two things. First, how is your research problem connected to a body of literature? And, second, what is the particular contribution of your article? In other words: who actually cares about your research? And what will they find interesting in this piece of work?
A body of literature refers to the work of other researchers in historical archaeology and related fields that have recently and actively contributed to our understanding of a particular area of interest. In the examples above, Davidson is working on problems being examined in African Diaspora archaeology as well as religious studies and plantation history. Cummings et al. are addressing problems in overseas Chinese archaeology, archaeobotanical research, and immigrant and minority communities.
It is essential that you know the particular fields of study to which your work is connected. To establish this understanding, research articles need to include a discussion of the literature of the field or fields where the work belongs. The point of a literature review is to establish your knowledge and expertise in this field and to set up your article as making a unique and important contribution.
To detail your contribution you want to explain what the next step(s) should be for researchers in a given field of study. You should be able to state your contribution like this: “while we indeed know quite a bit about this field of study, we still do not know XXX (or we have been mistaken about XXX), which is the exact area where my research contributes to advancing and deepening our knowledge.” A good way to write about your contribution is to pave a path through related research such that you set the stage for your own work. As you discuss case studies that describe the kind of work being done in the field, make sure you also show how they each in some way point to that specific next step your own work takes.
Once you have established a good and well-grounded research problem, you need to discuss how you will address the problem you defined for your article. A good way to frame this discussion is to think of a set of implications of the given problem that should be evident in your data. These can be phrased as “if … then” statements and presented as a set of predictions that, if they prove true, will support your argument.
In Davidson’s article, he establishes that if the hand artifacts were charms then they should be found in similar contexts to other spiritual items such as caches buried under floors or in the walls of houses. He shows instead that the hands were recovered in ambiguous spaces such as “cabin floors, chimney rubble, yards/middens, or manor-house crawlspaces—suggestive of accidental loss or deliberate (and casual) discard, or, at the very least, not from any recognized formal caches suggestive of intentionality or an elevation of the object above the mundane” (Davidson 2014:20). Similarly, if the hand clasps were charms then there should be mention of the use of such items in the increasingly rich archival record of African American folkways. Rather, he shows that the use of hands in this literatures refers almost exclusively to actual human hands and hand bones rather than metal clasps.
In the article by Cummings et al., they suggest that if there was a uniformity in the overseas Chinese experience in California then the distribution of archaeobotanical remains should be comparable across different site types. They show that this expectation does not hold up. They further suggest that if class differences within the Chinese-American community account for variations in archaeobotanical species representations then there should be a consistency across households of the same class, which they also show does not hold up. This is how they discovered that the occupations of the residents was an additional factor they needed to consider.
Next you need to discuss your research methods. What is your data and how did you collect it? What research tools were used in the process? Did you encounter any problems that may affect the reliability of your data? It is good idea to reflect on how the implications of your research problem and the methods you used to collect and analyze your data fit together. In addition, in Historical Archaeology, this part of the article will often be the place to review the sites and/or historical and cultural contexts of the materials to be discussed. Do not try to do too much here. No study is expected to universally apply cross-culturally, as the focus in most articles is predominantly on explaining particular discoveries and patterns as examples of broader, yet still historically constrained, cultural norms and debates.
- Your findings
The next stage of your article is an examination of your specific findings. This is where you will present in substantial detail the evidence that will support your final argument. Often this involves the use of data tables, graphs, and figures such as maps, historic images, and artifact and excavation illustrations.
The structure of your data exposition should be directly guided by how each set of data fits into your argument. You want this section to accomplish two things: (1) present your data and—once you show us what you found, where, and with what—(2) tell us what your data mean. What do the patterns you have identified tell us about the people who created the sites, deposits, and artifacts you have studied and discussed? Did your predictions hold up? Why or why not?
- Discussion and Conclusion
Once the data is presented and explained, you are now ready to state your argument. While your argument has been latent throughout the article, it is worth resisting the urge to spill the beans until you have laid the groundwork by doing a literature review, establishing your contribution, reviewing your methods of data collection and analysis, and detailing the results and your interpretations of the evidence. Building from these steps, your argument is a way to encapsulate all of the work that went into preparing and writing your article. You are then set up not only to review the findings of the paper in the conclusion but to propose ways to extend your argument to new research areas and interests, a helpful clue all researchers like to see!
These steps outline one productive way to organize your writing for a research article, and they reflect the structure of many articles published in Historical Archaeology. However, I do not mean to suggest that all articles published in Historical Archaeology must follow this structure absolutely! There are other ways to write effectively that you might find useful and productive, and I welcome your submissions!
To learn more about writing a research article, please visit these sites:
Cummings, Linda Scott, Barbara L. Voss, Connie Young Yu, Peter Kováčik, Kathryn Puseman, Chad Yost, Ryan Kennedy, and Megan S. Kane
2014 Fan and Tsai: Intracommunity Variation in Plant-Based Food Consumption at the Market Street Chinatown, San Jose, California. Historical Archaeology 48(2): 143-172.
Davidson, James M.
2014 Deconstructing the Myth of the “Hand Charm”: Mundane Clothing Fasteners and Their Curious Transformations into Supernatural Objects. Historical Archaeology 48(2): 18-60.
Image credit: Fist closure from Kingsley Plantation. (Photo by James M. Davidson, 2012.)
The SHA’s annual conference offers many activities and opportunities for professional development. One such is the collection of workshops offered to attendees on the Wednesday before the conference kicks off. This year, as always, we have a wonderful set of offerings. If you are interested in one or more of these workshops, make sure to sign up during #SHA2016 registration. They are:
 Archaeological Studio Photography, chaired by Karen Price of George Washington’s Mount Vernon
Take your cameras off “automatic” and come learn the basics to manual photography. This workshop covers the fundamentals to archaeological object photography. We will cover setting up a photo studio, appropriate software, file formats, and metadata. Participants will learn how to manually adjust camera settings to produce high-quality record and publication images. Working with studio lights and backdrops, attendees will have the opportunity to photograph a wide range of archaeological artifacts and feel comfortable setting up their own shot. Equipment and artifacts are provided, but participants are encouraged to bring up to 5 artifacts and a USB.
This is a half-day workshop, $50 for members, $60 for non-members, $30 for students, and $40 for student non-members.
 Archeological Illustration, chaired by Jack Scott
Want your pen-and-ink drawings to look like the good ones? Pen and ink is all basically a matter of skill and technique which can be easily taught, and the results can be done faster, cheaper, and are considerably more attractive than the black-and-white illustrations done on computer. Workshop participants will learn about materials and techniques, page design and layout, maps, lettering, scientific illustration conventions, problems posed by different kinds of artifacts, working size, reproduction concerns, ethics, and dealing with authors and publishers. A reading list and pen and paper (tracing vellum) will be provided, but feel free to bring your own pens, tools, books and, of course, questions. Be ready to work!
This is a full-day workshop, $80 for members, $100 for non-members, $50 for students, and $70 for student non-members.
 Underwater Cultural Heritage Resources Awareness Workshop, chaired by Amy Mitchell-Cook of the University of West Florida
Cultural resource managers, land managers, and archaeologists are often tasked with managing, interpreting, and reviewing archaeological assessments for submerged cultural resources. This workshop is designed to introduce non-specialists to issues specific to underwater archaeology. Participants will learn about different types of underwater cultural heritage (UCH) sites, and the techniques used in Phase I and II equivalent surveys. This workshop is not intended to teach participants how to do underwater archaeology, but will introduce different investigative techniques, international Best Practices, and existing legislation. The purpose of this workshop is to assist non-specialists in recognizing the potential for UCH resources in their areas of impact, budgeting for UCH resource investigations, reviewing UCH resource assessments, developing interpretive strategies, and providing sufficient background information to assist in making informed decisions regarding UCH resources.
This is a full-day workshop, $80 for members, $100 for non-members, $50 for students, and $70 for student non-members.
 Excavating the Image: The MUA Photoshop Workshop, chaired by T. Kurt Knoerl of the Museum of Underwater Archaeology
This Photoshop workshop covers basic photo processing techniques useful to historians and archaeologists. We will cover correcting basic problems in photos taken underwater and on land, restoring detail to historic images, and preparation of images for publications. We will also explore Photoshop’s photomosaic capabilities and the recovery of data from microfilm images such as hand written letters. No previous Photoshop experience is needed but you must bring your own laptop with Photoshop already installed on it (version 7 or newer). While images used for the workshop are provided by me, feel free to bring an image you’re interested in working on. Warning…restoring historic images can be addictive!
This is a full-day workshop, $80 for members, $100 for non-members, $50 for students, and $70 for student non-members.
 Battlefield Workshop for Contractors and Grant Applicants, chaired by Kristen McMasters of the National Park Service
The National Park Service’s American Battlefield Protection Program (ABPP) promotes the preservation of significant historic battlefields associated with wars on American soil. The goals of the program are 1) to protect battlefields or sites associated with a battle that influenced the course of American history, 2) to encourage and assist all Americans in planning for the preservation, management, and interpretation of these places, and 3) to raise awareness of the importance of preserving battlefields and sites associated with battles for future generations. The ABPP provides guidance, support, and seed money for battlefield preservation, land use planning, cultural resource and site management planning, land acquisition, and public education. Principal ways of providing support is through our two grant programs and technical assistance. The goals of the workshop are to introduce archeologists to the program, provide a working knowledge of grant opportunities, explain to both nonprofits and for-profit organizations how they can participate in battlefield preservation and create a forum for continued site identification through our KOCOA method of military terrain analysis, registration and protection.
This is a half-day workshop, and there is no charge to attend.
 Practical Aspects of Bioarchaeology and Human Skeletal Analysis, chaired by Tom Christ, of Utica College, and Kimberly Morrell, of AECOM Corporation
This workshop will introduce participants to the practical aspects of detecting, excavating, storing, and analyzing human remains from historic-period graves. It also will address the appropriate role of the historical archaeologist in forensic investigations and mass fatality incidents. Using historical coffins, hardware, and actual human remains, this interactive workshop is led by a forensic anthropologist and an archaeologist who collectively have excavated and analyzed more than 2,000 burials. Among the topics that will be covered are: effective methods for locating historical graves; correct field techniques and in situ documentation; the effects of taphonomic processes; appropriate health and safety planning; and fostering descendant community involvement and public outreach efforts. Participants also will learn about the basic analytical techniques that forensic anthropologists use to determine demographic profiles and recognize pathologic lesions and evidence of trauma. No previous experience with human skeletal remains is required to participate in, and benefit from, this workshop.
This is a full-day workshop, $80 for members, $100 for non-members, $50 for student members, and $70 for student non-members.
 Shattering Notions: Glass Isn’t as Hard as You Think!, chaired by Mary Mills, of AECOM
How can I determine if this piece of glass is blown, pressed, or cut? Is this decoration etched or engraved? Is this English or Continental? Which published sources should I use? If you have asked yourself questions like these, join glass educator and historian, Mary Cheek Mills, as she demystifies the topic of glass. This workshop includes a well-illustrated survey of tableware and other forms used and made in America in the 18th and 19th centuries, as well as videos demonstrating glass forming and decorating techniques. Through hands-on instruction, participants will learn how to “read,” describe, and interpret glass artifacts. Handouts will include a bibliography and other helpful resources.
This is a half-day workshop, $40 for members, $50 for non-members, $20 for students, and $30 for student non-members
 Doing Research and Teaching with The Digital Archaeological Archive of Comparative Slavery (DAACS), chaired by Jillian Galle, Lynsey Bates, Leslie Cooper, Elizabeth Bollwerk of the Digital Archaeological Archive of Comparative Slavery (www.daacs.org), and featuring guest speakers J. Cameron Monroe and Fraser Neiman
This workshop is aimed at students and scholars wishing to become more proficient in using the diverse archaeological data contained in The Digital Archaeological Archive of Comparative Slavery. The workshop begins with an introduction to The Digital Archaeological Archive of Comparative Slavery (DAACS) and its website (www.daacs.org). Participants will learn how to navigate the website and the easiest ways to locate the artifactual, contextual, spatial, discursive, image, and metadata served by the archive. Following this introduction, the remainder of the workshop focuses on the essentials of teaching and doing research with DAACS. The hosts and guest speakers will alternate research and teaching case-studies with hands-on activities to ensure that each participant engages fully with the archive. Participants will also have the opportunity to submit research questions or problems, which will be addressed by the hosts during the workshop. Participants will leave the workshop with a deep working knowledge of DAACS’s contents, research and teaching possibilities, and handouts and sample syllabi that serve as starting points of continued work with the archive. Although no previous experience with statistical computing programs is necessary, a good working knowledge of MS Excel is encouraged. Participants are asked to bring a laptop with MS Excel and wireless connectivity. If you don’t have one, DAACS will provide several laptops that participants without laptops can share.
This is a full-day workshop, $60 for members, $80 for non-members, $20 for student members, and $30 for student non-members.
 Introduction to Archaeological Digital Data Management, chaired by Leigh Ellison of the Center for Digital Antiquity
Archaeology relies heavily on digital data: photographs taken in the field, GIS information, analytical and descriptive data sets, project reports, etc. This is in addition to an existing, underutilized backlog of archaeological information. Without a well thought-out approach to data management, important information will be forgotten, misplaced or damaged. Good digital data management requires attention to data storage, archiving data, how data are preserved, and the curation of data so that is discoverable, accessible and usable.
This workshop will introduce participants to the importance of effective and efficient management for digital archaeological data and describe good principles and practices of data management using four interrelated aspects of data management: Storage, Archiving, Preservation, and Curation. It will also look as how good digital data management can improve archaeological research and resource management in general and benefit individual archaeologists in their careers. Participants will get hands on experience curating one of their own files in tDAR (the Digital Archaeological Record), a disciplinary repository managed by the Center for Digital Antiquity, Arizona State University. Instructors will be on-hand to answer questions about files types and metadata and assist participants with curating their data.
Participants will receive a voucher for curating one (1) file in tDAR and a copy of ‘Caring for Digital Data in Archaeology: A Guide to Good Practice by the Archaeological Data Service & tDAR’ (published by Oxbow). Participants need to come prepared with a laptop with wireless capabilities and a file for the hands-on portion of the workshop.
This is a half-day workshop, $100 for members, $110 for non-members, $75 for student members, and $85 for student non-members.
To follow on from the first set of 2015 SHA conference videos, posted last month, here are some Underwater/Maritime Archaeology videos:
Reconstructing Holocene Wetlands of Northern England: New Paleogeographic Models in the Humber Estuary
Eric A. Rodriguez
With the recent application of paleographic modelling on prehistoric wetland environments, it has been possible to observe not only the landscapes of past societies but also how the dynamic nature of these environs influenced the phenomenology and settlement patterns of such peoples. This paper focuses on two areas from Northern England’s Humber Estuary and describes the interactions between the reconstructed palaeolandscapes of Roos Carr and Ferriby and the shifting settlement patterns from the Late Neolithic to the Early Bronze Age. Given the rapid sea-level change of the period, this study contributes to the existing discourse concerning the interconnectivity of climate change, dynamic landscapes and past societies. The aims of this study are not solely focused on reconstructive modelling techniques, but move rather, towards an investigation into the role of dynamic maritime landscapes in crafting Holocene phenomenologies and influencing settlement patterns in the Humber Estuary.
The Medieval Shipwrecks of Novy Svet: A Reassessment
John A Albertson
Since 1997, Dr. Sergey Zelenko of the Centre for Underwater Archaeology (CUA) at the Taras Shevchenko National University of Kiev has been conducting survey and excavation near the resort town of Novy Svet on the southern coast of the Crimean peninsula. CUA researchers have discovered the remains of three medieval shipwrecks spanning the 10th to the late 13th centuries, illuminating much about Black Sea seafaring. Recently, multi-national CUA teams discovered hull timbers, anchors and vessel materials dating from the early Classical to the Medieval periods. Careful mapping of these materials has shown that they have discrete distributions. While it has commonly been held that organic preservation at the site is poor, recent finds challenge this and demand a renewed effort to ascertain the full extent of the assemblage. Further, these findings demonstrate that in situ or nearly in situ preservation of wreck sites may be found even in dynamic littorals.
Maritime Archaeology in Albania: Connecting the Dots Along an Overlooked Coastline
Loren R Clark While
Albania boasts over 400 kilometers of coastline, very little research has been done to learn about the significance of this dynamic coast. Until recently, it has been difficult for outside research to be done in Albania, but that is rapidly changing thanks to government agencies supporting research in many different fields targeted specifically along the coast and in the offshore regions. Because of this renewed energy in bringing attention to the coast, this project has sought to aid in the overall management of submerged cultural resources in Albania by presenting a baseline of datasets from many different disciplines as well as analysis of coastal morphology changes and the potential for submerged sites along the entire Albanian coastline. In doing so, this project will also seek to bring awareness and future researchers to an area of the Adriatic Sea that has been overlooked for far too long.
Scrannying for Spidge amongst the Shipwrecks; Interviewing the Pirates of Plymouth, England.
Mallory R. Haas
Over the past 2 years the SHIPS Project has set out to conduct several dozen oral histories concerning divers’ recollections from the early days of scuba diving in Plymouth, UK. These oral histories were undertaken for several reasons, to better understand the layout of virgin shipwrecks when first located, to record the items recovered, which are affectionately known as ‘spidge’, and to document the human interest and lust for ‘scrannying’. What has been explored and expanded upon within the oral histories is the true appreciation for the cultural heritage of these shipwrecks, from within this diving community. We have also gained trust and access to recording finds information, allowing us to build our knowledge of Plymouth Sound’s cultural heritage. Within the process, we were able to capture interviews that convey the vagabond adventure that lures a person to become a diver, while finding the true definition of a pirate.
The Newport Medieval Ship in Context: The Life and Times of a 15th Century Merchant Vessel Trading in Western Europe
Toby N. Jones and Nigel Nayling
This paper presents a summary of recent research into the broader economic, cultural and political world in which the Newport Medieval Ship was built and operated. Digital modeling of the original hull form has revealed the dimensions, capacity, and performance of the vessel. Examination of the individual ship timbers and overall hull form have led to a greater understanding of shipbuilding and woodland resource management in the late medieval period. Archaeological research has helped to illuminate the origins of the vessel and revealed details about its use-life. Direct evidence of trade between the Iberian Peninsula and the British Isles has been uncovered, along with clues relating to the origin and size of the crew and general aspects of daily-life on board the ship. In addition, the online publication of a comprehensive digital archive has enabled unprecedented access to the wealth of detailed archaeological data produced by the project.
For #SHA2016 conference details, please follow this link.
To register for #SHA2016 conference, please follow this link.
The #SHA2016 conference program is posted. Please note that Symposium organizers may notice the names associated with the Introduction, Discussants and breaks in their session are not correct. These names will be updated in the program once the individuals who will be performing these roles register for the #SHA2016 Conference. Only individuals who are registered in ConfTool can be added to the program; it was necessary, therefore, to create “placeholders” to ensure that the timing for each session is correct.
Additionally, Saturday, October 17th was International Archaeology Day! We hope that many of you took part, and we encourage you to run searches on #InternationalArchaeologyDay and/or #IAD2015 via Facebook, Twitter, and Instagram, to see how your fellow archaeologists contributed.
If you participated in International Archaeology Day and have yet to post anything, we encourage you to post to the hashtags (#InternationalArchaeologyDay or #IAD2015)!
As we get closer to #SHA2016, our blog posts will focus on conference related details as well as Washington, D.C. related information.
To follow up to an earlier blog post on the process of publishing an article in Historical Archaeology, I want to discuss what is involved in putting together and publishing a Thematic Issue of the journal. Every year two of the four issues of Historical Archaeology are guest edited collections on specific themes. Some examples of thematic issues from the past few years have been on The Archaeology of Chinese Railroad Workers; Material Testimonies: Landscapes, Artifacts, and the Oral Tradition; and Contemporary and Historical Archaeology of the North. Thematic issues often but not always emerge from sessions at the SHA conference as well as other conferences and meetings. From this starting point, guest editors are usually in a good position to propose publishing the papers in a thematic issue.
Proposing a thematic issue
If you are interested in guest editing a thematic issue of Historical Archaeology, the first step is to contact me at firstname.lastname@example.org to tell me about the topic. In most cases I will ask you to follow up with a brief proposal that includes a one-page overview of the collection and the way it will be approached by the contributors. The proposal should list the titles and authors of the articles that will be included. There is no magic number of articles for a thematic issue, but they are typically around 10 articles. Thematics always have a short introduction written the editor(s), and they also often have a concluding discussion essay written by a leading person in the field or, as often, by a scholar in a cognate discipline relevant to topic. The proposal should also include a timeline detailing the deadlines for collecting drafts, plans for the peer review, and submitting the collection to the HA editor.
Once the proposal is submitted, the thematic will go into the queue. Thematics follow the schedule guest editors create and manage, but they are published in the order they are formally accepted for publication. The journal editor can certainly let you know how many thematics have been accepted and tell you the next slot (i.e. volume/issue number) that is open.
As the guest editor, you are responsible for selecting the contributing authors, arranging the structure of the collection, supervising the peer review of the papers, and finalizing the submission to the journal. While this should be an enjoyable process, there is no getting around that pulling together ten articles from ten or more authors requires a lot management. I recommend staying in regular touch with your contributors and setting and keeping fair but firm deadlines.
Internal and external reviews
Once all of the articles are in hand, it is typical that editors will organize an internal round-robin review. In this format, each contributor will be assigned to review two other articles in the collection. As contributors to thematic, the authors are expected to be experts in the field and thus ideal reviewers for the other papers. Peer reviews should comment on the organization of the article, the clarity of the argument, the effective presentation and use of the data, and the overall quality of the writing.
The guest editor will collect and return the reviews to each author with a statement explaining what they see as most important aspects of the review that need to be addressed in a revision. Once you have collected the revised the articles, the collection is ready to be assembled for submission to the journal. I am more than happy to arrange for an electronic submission. This is also the stage when the articles including tables, figures, and permissions need to be formatted to conform to the Style Guide of the journal: http://sha.org/index.php/view/page/for_authors.
Upon submission to the journal, I will arrange for the collection to be reviewed by one or two outside readers who will provide comments on both the overall collection as well as the individual papers. This external review will spur a second round of revisions, and it will also confirm for the journal editor that the collection is suitable for publication.
Assuming all goes well, the revised articles for the thematic can be compiled again for a final submission. Once the editor has all the files in hand, they will send the guest editor(s) a letter stating that the collection has been formally accepted for publication and indicate which Volume/Issue number it will be assigned.
Right now we are publishing thematic issues about one year after they have been accepted. So, after the collection has been accept you will have a 6-8 month break before hearing from the journal’s copy editor with queries about the articles. The copy editor will work directly with the authors to finalize the manuscripts for publication. The next step will be to review the printer proofs. For this stage the journal editor will send typeset PDFs of the articles to the guest editors, who should review the collection as a whole and circulate the articles to the individual authors for proofing. Once the proofs are returned, the corrections are submitted to the printer, and the issue will be published within the next couple weeks!
*Image: Early 20th-century British postcard depicting lucky horseshoes, old shoe, and a black cat. [From the collection of the M. Chris Manning, 2013, published as Figure 3 in his article, “The Material Culture of Ritual Concealments in the United States,” Historical Archaeology 48(3):52-83].