Gender and Minority Affairs Committee Diversity Field School Competition

GMAC Diversity Field School Initiative

This year the Gender and Minority Affairs Committee (GMAC) is hosting its second annual Diversity Field School Competition. In an effort to continue making the field of historical archaeology more inclusive of race, ethnicity, gender, sexual orientation, abilities, and socio-economic background, the competition will recognize those who have shown a commitment to increasing diversity in the field and encourage further discussion of the topic. Applicants are required to submit a short essay on diversity, a summary of their field school, and some form of multimedia (photo, pamphlet, video clip, etc.) that highlights diversity in their field school. All awardees will be acknowledged at the 48th Conference on Historical and Underwater Archaeology and recognized on the SHA website, while the first place winner will receive special commendation. GMAC encourages submissions from all SHA members and conference attendees. The Application Form is available online and completed applications—as well as additional questions—may be directed to For more information, please refer to the Submission guidelines.

Toward A More Diverse SHA

The idea for the Diversity Field School Competition developed out of a series of larger discussions within the SHA about viable ways to increase diversity within the organization. At the 2011 SHA conference, GMAC members determined that increasing diversity was an important step toward social justice and helping the SHA reflect the diverse communities historical archaeologists serve. These calls for greater diversity were reinforced by subsequent GMAC panels and initiatives such as the GMAC Student Travel Award and diversity training for SHA board members. Last year former SHA president, Paul Mullins, announced his commitment to “make diversity an increasingly articulate part of the SHA mission and our collective scholarly practice.” Additionally archaeologists abroad are discussing the issue of diversity, particularly after the recent release of the Archaeology Labour Market Intelligence: Profiling the Profession 2012-2013 report which identified 99% of archaeologists working in the UK as white. As a result we hope this competition helps to not only recognize those who have shown a commitment to diversity, but also open dialogue about ways to increase the presence of archaeologists from the many underrepresented groups.

We encourage you to also visit the SHA Events website for more information about other SHA competitions, events, and workshops. Hope to see you all in Seattle!

Interested in becoming a part of the conversation? Let us know how archaeologists can work together to increase diversity in the field.

Meet a Member: William Moss

Here’s the latest in our series of entertaining interviews with a diverse array of your fellow SHA members. Meet a member for the first time or learn something about a colleague that you never knew before. This blog series also offers current members an opportunity to share their thoughts on why SHA membership is important (Camaraderie? Professional service? Exchange of ideas in conference rooms and beyond? You tell us!). If you would like to be an interviewee, please email the Membership Committee Social Media Liaisons Eleanor Breen ( or Kim Pyszka (

William Moss has been the Chief Archaeologist of the City of Québec since 1985. He served on SHA’s Board of Directors for two terms and was president in 2005. He organized the Society’s annual conference on two occasions, first in 2000 then in 2014.

Who influenced your decision to become an archaeologist?

I was inspired to become an archaeologist by Francis Pryor following three seasons on the Fengate Site in Peterborough, England. Francis had a vibrant love for life and an insatiable curiosity about the past. And he wasn’t averse to getting his hands dirty. I liked that!

What is the first site you worked on? What is the last one (or current one)?

The first site I worked on was a volunteer dig on the ruins of a medieval château in Merpin-Vieux-Bourg, near Cognac, France, in 1973. The last —which I have been working on since 1980— is the city-as-site of Québec City, another great project!

If you could go back in time for only 10 seconds – where, when, and why?

It would be during 1543, but I would have to get there to specify the exact moment. I would like to see the first sparks of the burning of the Cartier-Roberval establishment, Charlesbourg Royal, in what is now Québec City. How did the conflagration start? Was it accidental or intentional? If the latter, was it Jacques Cartier or the Sieur de Roberval who gave the order and, if so, why? Or were the native Stadaconians behind the blaze? Seeing this precise incident would resolve issues about relations between the French and Native Americans in the early modern world.

What are you currently reading?

I can’t read one book at a time, I always have a couple on the go! Presently, they are “The Making of British Landscape” (Francis Pryor, 2010, Penguin) and “Archéologie de l’Amérique coloniale française” (Marcel Moussette and Gregory Waselkov, 2014, Lévesque éditeur). Both are extensive voyages through time and space, the synthesis of vast quantities of information by people who have thought long and hard about what they have learned during their exemplary careers.

Why are you a member of SHA?

I am a member of several professional associations, but I have always considered SHA as the most important for me. The Society has kept me in touch with a dynamic international community. I have also come to have many friends in the community. SHA is very convivial both intellectually and socially. I have greatly enjoyed serving the Society and I have always felt my contribution has been appreciated.

At what point in your career did you first join SHA?

I joined the Society when I obtained my first regular employment as an historical archaeologist with Parks Canada. I was a grad student at Université Laval at the time.

How many years have you been a member (approximately)?

Since 1980, so for almost 35 years.

Which article from Historical Archaeology has been the most influential to you?

The proceedings of the 1987 plenary session published in 1988 were extremely interesting for me (Nicholas Honerkamp, “Questions that Count in Archaeology; Plenary Session, 1987 Meeting of the Society for Historical Archaeology Conference on Historical and Underwater Savannah, Georgia” 22(1)). I particularly appreciated Mark Leone’s “The Relationship Between Archaeological Data and the Documentary Record: 18th Century Gardens in Annapolis, Maryland” (22(1):29-35)). It closely tied in to a site I was analyzing, the Dufferin Terrace. It allowed me to understand minute phenomena observed in Québec City that, when compared to sites in Maryland, presented a coherent picture of élite behavior in the British colonial world. It also highlighted shifts of behavior as Québec moved from the French to the English Régime. It thus helped me to seat my understanding of the city in a wider international and cultural context.

Which benefit of belonging to SHA do you find the most beneficial?

Having organized two annual meetings for SHA (2000 and 2014), I have to say the conferences! Conferences are the embodiment of the people and the ideas that make SHA so appealing.

Tech Week: Photography in Archaeology

Here is a riddle, what technology is used by an archaeologist working on a 19th century farmstead, an archaeologist recording a wreck in the Mediterranean, and an archaeologist explaining a site to a group of fourth graders? The Answer – Photography. This week the SHA Technology Committee is excited to present the fourth installment of Tech Week on the SHA blog. This tech week focuses on the many uses of photography in archaeology. All three bloggers discuss how they use photography to not only record the past, but how they use it to better understand it too.

The week begins with a post by Drew Fulton. Drew’s work as a conservation photographer and filmmaker took him to the Kızılburun wreck in the Aegean Sea. The logistics of photographing a wreck 150 feet below the surface of the ocean can be staggering, but Drew was able to capture the wreck in breathtaking 360 degree interactive panoramic images.

Following Drew’s post, Karen Price discusses the use of photography in preservation at Mount Vernon. Karen provides tips and tricks for both the amateur artifact photographer and the professional archaeologist, while making a call for all archaeologists to reconsider their approach to field and lab photography. She also provides some stunning examples of her work.

The final blogger for Tech week is Carrie Fulton. Carrie discusses her work on the ship that was discovered at the World Trade Center site in New York City. Typically, archaeologist painstakingly record each timber of a ship, but because of the nature of the site and the heavy push for construction, Carrie and the team of archaeologists working at the site, didn’t have time to record the ship in such detail. Utilizing a wide range of technology they created a detailed digital record that allowed them to create a 3d model of the ship that recorded the exact spatial layout of each timber.

Check out the #TechWeek Posts:

Going Interactive Underwater by Drew Fulton
Preservation Photography: Roles and Rules by Karen Price
Photographs into Models: Documenting the World Trade Center Ship by Carrie Fulton