Getting to Know the 2012 Ed and Judy Jelks Travel Award Winners
As a professional organization, the Society for Historical Archaeology promotes the participation of student members…
This year’s conference has a large slate of workshops; something to answer any interest. In preparation for the conference, and to inspire your interest in coming and participating, the Academic and Professional Training Committee offers three posts introducing these workshops. This is the second of those three postings.
We hope you find something here that piques your interest, and we hope to see you in Quebec City!
Workshop 9: An Introduction to Cultural Property Protection of Historical and Post-Medieval Archaeological Sites during Military Operations
Hosted by Christopher McDaid and Duane Quates
Sites of interest to SHA members, which frequently deal with the expansion of global capitalism, the expansion of the European powers, or the forced relocation of people, are not the kinds of sites that routinely appear on the World Heritage list, and often do not receive official heritage recognition. This workshop introduces the international framework for cultural property protection during military operations, and the ways in which recent sites challenge the system. Attendees will receive an overview of militaries’ heritage management programs, the international framework for cultural property protection, how scholars can communicate information to military planners effectively, and gives reviews of several case studies involving military operations and cultural property protection.
Workshop 10: Oral History
Hosted by Edward Gonzalez-Tennant
The recording of personal histories is increasingly viewed by researchers and members of the public as a vital source of information regarding the past. Everyone has a story to tell and oral history recognizes the importance of personal experiences in understanding our shared past. Historical archaeology has a long history of valuing personal testimony. Oral histories strengthen archaeological interpretations by speaking directly to issues of memory, identity, and sharing power. This workshop will introduce participants to standard methods of oral history. The workshop will begin with a discussion of interviewing techniques. We will provide pointers for collecting personal stories, and discuss the use of digital recorders in oral history. Then, an overview of the transcription process is briefly presented. The final hour will be reserved for the collection of oral history interviews.
Workshop 11: Documentary Filmmaking for Archaeologists
Hosted by Joseph W. Zarzynski and Peter J. Pepe
The documentary is an unequalled storytelling vehicle. Advances in digital media and documentary filmmaking make it possible for archaeologists to collaborate with video production companies to create quality documentaries on a micro-budget. The workshop, taught by award-winning documentarians, will guide participants through the documentary filmmaking process. Learn about research, scriptwriting, pitching a proposal, funding, interview techniques, acquiring and storing images, animation, legal issues, video technology, editing, selecting music, film festivals, markets, distribution, and promotion. Whether your goal is to create a television feature, a DVD or VOD to sell, a video for museum exhibit, or just for Internet viewing, an understanding of “doc” filmmaking is required.
Workshop 12: Archaeological Illustration
Hosted by Jack Scott
Want your pen-and-ink drawings to look like the good ones? Pen and ink is all basically a matter of skill and technique which can be easily taught, and the results can be done faster, cheaper, and are considerably more attractive than the black-and-white illustrations done on computer. Workshop participants will learn about materials and techniques, page design and layout, maps, lettering, scientific illustration conventions, problems posed by different kinds of artifacts, working size, reproduction concerns, ethics, and dealing with authors and publishers. A reading list and pen and paper (tracing vellum) will be provided, but feel free to bring your own pens, tools, books and, of course, questions. Be ready to work!
If you have an idea for a workshop to be held at a later conference, or if you would like to organize one yourself, please contact Carl Drexler at firstname.lastname@example.org.